Complete Guide to Digital Infrared Photography

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Infrared People Photography

A yellow minus-blue filter can also be used, which provides a single image that can also be post-processed to emulate the Ektachrome look. The colors result from varying amounts of infrared passing through the color filters on the photo sites, further amended by the Bayer filtering.


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While this makes such images unsuitable for the kind of applications for which the film was used, such as remote sensing of plant health, the resulting color tonality has proved popular artistically. Color digital infrared, as part of full spectrum photography is gaining popularity. The ease of creating a softly colored photo with infrared characteristics has found interest among hobbyists and professionals.

Infrared photography

All Aerochrome medium and large format which exists today came directly from his lab. The trend in infrared photography continues to gain momentum with the success of photographer Richard Mosse and multiple users all around the world. Digital camera sensors are inherently sensitive to infrared light, [17] which would interfere with the normal photography by confusing the autofocus calculations or softening the image because infrared light is focused differently from visible light , or oversaturating the red channel.

Also, some clothing is transparent in the infrared, leading to unintended at least to the manufacturer uses of video cameras. However, for some subject matter the long exposure does not matter or the motion blur effects actually add to the image. Some lenses will also show a 'hot spot' in the centre of the image as their coatings are optimised for visible light and not for IR.

An alternative method of DSLR infrared photography is to remove the infrared blocker in front of the sensor and replace it with a filter that removes visible light. This filter is behind the mirror, so the camera can be used normally - handheld, normal shutter speeds, normal composition through the viewfinder, and focus, all work like a normal camera. Metering works but is not always accurate because of the difference between visible and infrared refraction.

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Additionally, because the red, green and blue micro-filters remain and have transmissions not only in their respective color but also in the infrared, enhanced infrared color may be recorded. Since the Bayer filters in most digital cameras absorb a significant fraction of the infrared light, these cameras are sometimes not very sensitive as infrared cameras and can sometimes produce false colors in the images. An alternative approach is to use a Foveon X3 sensor , which does not have absorptive filters on it; the Sigma SD10 DSLR has a removable IR blocking filter and dust protector, which can be simply omitted or replaced by a deep red or complete visible light blocking filter.

The result is a very sensitive digital IR camera. While it is common to use a filter that blocks almost all visible light, the wavelength sensitivity of a digital camera without internal infrared blocking is such that a variety of artistic results can be obtained with more conventional filtration. For example, a very dark neutral density filter can be used such as the Hoya ND which passes a very small amount of visible light compared to the near-infrared it allows through.

Wider filtration permits an SLR viewfinder to be used and also passes more varied color information to the sensor without necessarily reducing the Wood effect. Wider filtration is however likely to reduce other infrared artefacts such as haze penetration and darkened skies. This technique mirrors the methods used by infrared film photographers where black-and-white infrared film was often used with a deep red filter rather than a visually opaque one. Another common technique with near-infrared filters is to swap blue and red channels in software e.

Adobe Photoshop which retains much of the characteristic 'white foliage' while rendering skies a glorious blue. Several Sony cameras had the so-called Night Shot facility, which physically moves the blocking filter away from the light path, which makes the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. It is possible to shoot infrared but neutral density filters must be used to reduce the camera's sensitivity and the long exposure times mean that care must be taken to avoid camera-shake artifacts.

Fuji have produced digital cameras for use in forensic criminology and medicine which have no infrared blocking filter. Optimum UV sensitivity requires special lenses, but ordinary lenses usually work well for IR. FujiFilm restricts the sale of these cameras to professional users with their EULA specifically prohibiting "unethical photographic conduct". Phase One digital camera backs can be ordered in an infrared modified form.

They may be multispectral and use a variety of technologies which may not resemble common camera or filter designs. Cameras sensitive to longer infrared wavelengths including those used in infrared astronomy often require cooling to reduce thermally induced dark currents in the sensor see Dark current physics. Lower cost uncooled thermographic digital cameras operate in the Long Wave infrared band see Thermographic camera. These cameras are generally used for building inspection or preventative maintenance but can be used for artistic pursuits as well, such as this image of a cup of coffee.

From Wikipedia, the free encyclopedia. Normally the effect is invisible because so much green light is reflected by the foliage but it is possible to see the effect, albeit dimly, with the naked eye by looking through a nm filter or similar on a sunny day and allowing your eye to adjust to the low light.

Retrieved Wood February The Century Magazine. The Century Company. Wood October The Photographic Journal.


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  • Digital Infrared Photography Manual.

Royal Photographic Society. Archived from the original on The RPS Journal. Dec — Jan Photography by infrared: its Principles and Applications. Film usually has a slightly fogged base and anti-halation layers coated on it in order to stop light bouncing around in the substrate once the image has been taken. Light can enter film through the tail protruding from a 35mm canister and without a fogged base it will be piped into the film and expose it.

Without an anti-halation layer any light entering the substrate through the emulsion will be reflected back and forth inside the film, becoming diffuse as it travels and causing halation.

HIE lacked a fogged base and anti-halation layers for two reasons: sensitivity is increased by allowing light to reflect back and forth and it was difficult to find any way of treating the film that would be effective at infrared wavelengths. Archived from the original PDF on M ed. Kodak Publications. Retrieved 3 April Reuters wire service. Camera light-field field instant pinhole press rangefinder SLR still TLR toy view Darkroom enlarger safelight Film base format holder stock available films discontinued films Filter Flash beauty dish cucoloris gobo hood hot shoe monolight Reflector snoot Softbox Lens Wide-angle lens Zoom lens Telephoto lens Manufacturers Monopod Movie projector Slide projector Tripod head Zone plate.

Most expensive photographs Photographers Norwegian Polish street women. To paraphrase Whistler or was it Monty Python? When I first asked for information about this book, Ibrahim Pamuk e-mailed from Turkey to say that he thinks the book will appeal to infrared enthusiasts he also has a copy and the quality is good Ibrahim is right on all counts: the book is well printed and is about A4 in size, softback, with 73 images. Subtitled 'Principles and Techniques for Digital Infrared Photography' this book showcases Ken Farmer's infrared photography together with some explanations of techniques and things to consider when taking IR photos.

The landscapes are stunning, definitely Ken's strong suit, and I am especially jealous of the good weather Ken got in Japan because his Japanese landscapes are superb. The quality of the printing, all in black and white, is excellent too and although the book has the same form-factor as Amherst's, and could be mistaken for one, I think the image quality is better. It is very difficult to balance quality of black and white printing against costs and Ken has struck a good balance here.

The book isn't perfect of course. It deserves a more catchy title, which is a little convoluted, but it does reflect Ken's use of longer near-IR wavelengths. It is also a little unsure about whether it's a collection of photos or a 'how-to' book but, that's no big deal. To be honest, I'd probably have the same problem.

Complete Guide to Digital Infrared Photography (A Lark Photography Book) (豆瓣)

And a few of the photos, especially the nudes, are repetitous. You can see some of this for yourself as well, on Ken's web site - www. A current favourite here at Invisible Towers, and worthy of your attention. This isn't Ken's only appearence on this page either: keep reading Described by the publishers as 'comprehensive guide to this fascinating branch of photography. Despite not covering digital infrared see below this deals with everything else. It covers film, filters, developing, printing and toning across a range of films including Maco and colour Ektachrome. Published December 31, This is an incredibly beautiful 80 page book now paperback but initially hardback published in full of lanscapes with big skies and small buildings.

The shots are all Konica infrared taken with a couple of those very large format Fuji cameras I have been known to drool over but know I'd never carry around. Highly recommended with just a small caveat: the panoramic-format photos all go across the fold This new book by the prolific Mr Farace seems to be a comprehensive guide to taking, manipulating and printing digital infrared images.

I haven't seen it yet and I'll report back when I do. Amherst continue their bid for world domination - at least as far as infrared photography is concerned. It was only a matter of time before digital IR got a book to itself and this is, to my knowledge, the first. However, it does mention film and the digital concentrates on using Nikon's cameras so the scope is perhaps a little less than it could have been.

This one popped up in an amazon search and presumably does edxactly what it says on the tin. The amazon. Unusually, this is a book entirely of photographs taken in colour infrared Ektachrome and Antonis is a master of that form - check out his web site. It's a fascinating view of a kind of 'other' life, since at first glance many of the figures seem alive. On the face of it this is a fairly narrow subject, and it is stretching things just a little to devote a whole book This is a very classy publication, lying somewhere between a monograph and the coffee table but well worth checking out if you're into unusual photo books.

Don't let anyone tell you that Greek photographs only feature stone, whitewashed walls, bearded priests and brightly-coloured doors! Thanks to Steve Paternite for introducing this to me via an auction on eBay. It's the catalogue for an exhibition put together in for SITES, a programme of the Smithsonian that organises travelling exhibitions.

The catalogue is US letter sized with 52 pages plus cover, all in black and white, although colour is mentioned.

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Infrared Photography Books

One curious thing is that the writer appears to have the common misconception that this photography is related to heat. Featured photographers include Minor White - his Cobblestone House was probably the earliest widely-published IR photo and I'm sure you'll recognise it when you see it on the cover of this booklet - Simon Marsden - with some of his beautiful ruins - and Rumio Sato - who used a hand-held Widelux to take delightfully wavy panoramas he calls 'Dreamlander' photos. Very atmospheric infrared photos of twenty New Orleans cemeteries functioning as a kind of guide book to these cities of the dead, complete with map.

A limited edition, virtually hand-made, hundred-page book of infrared artistic nudes of ages from children to elderly people by Julianna FreeHand.

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